我是过来看时装秀的！其他都无感！

能年玲奈像是直接从海女穿越过来一样，成长与梦想当中夹杂了世界与我的变与不变，人与畜禽共性行为的心理学还是很有感触的，结局是好的，世界没有辜负她。可是结局要是变成无人追逐可能会更好吧

3.5 Somebody please restore this. It's a poetry film that combines real life documentary of filmmaker's hometown after the independence, with scene reconstructions of: women's recollection of the war and their roles (feeding the guerillas etc), folktales, imagery metaphor or pure stream of consciousness sequences. It's the first Lebanese film directed by a woman and it's already a daring experimental work showcasing the magic of cinema in not only preserving, but recreating memories.

算不上是喜欢的希胖，尤其不明白为什么中段就揭开谜底，人与畜禽共性行为的心理学这样悬疑都还没酝酿出来更不用说绷紧就已经泄气。著名的飞机追逐戏在技术上掣肘太明显，出来的效果今天看非常一般（其实很多场景的背景都很假），更不用说那些时代感痕迹超重的感情戏；最后总统山的高潮追逐戏，也是缺少一种一气呵成的连贯紧迫感；总之整部戏都有给人一种在各种地方“漏气”的感觉。《丰满的继牳2理伦片》跟本片只隔了一年，但后者感觉是希胖渲染悬疑氛围的巅峰，所以估计经典都有些意外因素在

圣斗士星矢之往前走往前走，前面有大座儿